In a painting, train tracks may look as if they go off into the distance because the artist draws the tracks as converging lines a pictorial cue to depth known as:

Related Mcqs:

1. Timor is painting a picture of a jet on a runway; however, in his painting the sides of the runway are parallel to each other. Timor’s picture will seem to lack depth because he has failed to make use of the monocular depth cue of:

   A. Motion parallax
   B. Texture gradient
   C. Height in plane
   D. Linear perspective

2. Which of the following pictorial cues first came to the attention of Max Wertheimer during a train ride?

   A. relative size
   B. motive parallax
   C. patterns of shading
   D. texture gradient

3. The sand at Akram’s feet appeared coarse, and he could see the individual grains of sand. However, the sand down the beach appeared to be much finer and less granular. This apparent difference in the sand may have partially resulted from the depth cue of:

   A. Texture gradient
   B. Convergence
   C. Light and shadow
   D. Interposition

4. When we stare at an object, each eye receives slightly different image, providing a depth cue known as _____________?

   A. convergence
   B. linear perspective
   C. relative motion
   D. retinal disparity

5. You are standing in the middle of way, as you look far ahead, the tracks seem to come together in the distance. That illustrates ______________?

   A. linear perspective
   B. interposition
   C. similarity
   D. convergence

6. Which of the following is a cue used by artists to convey depth on a flat canvas?

   A. Interposition
   B. Connectedness
   C. Convergence
   D. Continuity

7. As the large butterfly flew toward Tahir, he could tell it was getting closer because he could feel his eyes turning inward toward his nose as he watched it. In this instance, Tahir was able to judge how far away the butterfly was using the depth cue of:

   A. Relative size
   B. Accommodation
   C. Depth perception
   D. Convergence

8. The visually perceived distance between ourselves and an object provides an important cue for our perception of the object’s:

   A. motion
   B. size
   C. color
   D. brightness

9. One of the following is not a monocular depth cue ______________?

   A. Interposition
   B. Relative moment
   C. Convergence
   D. Accommodation
   E. None of these

10. Which of the following is a cue used by artists to convey depth on a flat canvas?

    A. interposition
    B. connectedness
    C. convergence
    D. continuity