Who for the first time discriminated between imagination and fancy ?

Related Mcqs:

1. Who made a distinction between Fancy and Imagination ?

   A. Wordsworth
   B. Coleridge
   C. Southey
   D. Hazlitt

2. In which capter of Biographia Lieraria, Coleridge make a distinction between fancy and imagination ?

   A. 14
   B. 15
   C. 12
   D. 13

3. Occom says he was discriminated against as a missionary and minister. What proof does he present to illustrate the unfair treatment of Native American ministers ?

   A. Establishment of puritans
   B. Establishment of autobiography
   C. Establishment of Indian praying towns
   D. Establishment of self- reliance

4. This literary critic coined the term “fancy.” ?

   A. Samuel Taylor Coleridge
   B. Virginia Woolf
   C. Matthew Arnold
   D. Carl Jung

5. The opening lines of Charlotte Smith’s “Beachy Head” refer to the speaker “reclin[ing]” on the “stupendous summit” of a “rock sublime” as her “Fancy” went forth. This poem reflects which of the following features common to much Romantic poetry ?

   A. An emphasis on the relationship between a natural setting and the imagination as in Wordsworth’s poems
   B. A focus on the poet as seer as in some of Keats’s poems
   C. A call for social and political reform as in some of Shelley’s works
   D. A nod to the poet as outcast as in some of Byron’s poems

6. How does this quotation from Behn’s Oroonoko most suggest its status as an early novel: “I do not pretend, in giving you the history of this Royal Slave, to entertain my reader with adventures of a feigned hero, whose life and fortunes fancy may manage at the poet’s pleasure.” ?

   A. It focuses on a royal hero.
   B. It denies being imagined in favor of claims of realism.
   C. It focuses on adventures.
   D. It connects to poetry.

7. Coleridge considered imagination as______________?

   A. Critical faculty
   B. Modifying power
   C. A psychological experience
   D. A product of intellect

8. Which of the following texts is the BEST example of the argument that a work’s meaning does not come entirely from the imagination of the author ?

   A. Plato’s The Republic
   B. T.S. Eliot’s “Tradition and the Individual Talent”
   C. Jacques Derrida’s Of Grammatology
   D. Jacques Lacan’s “The Mirror Stage…..

9. Which of the following texts is the BEST example of the argument that a work’s meaning does not come entirely from the imagination of the author ?

   A. Plato’s The Republic
   B. T.S. Eliot’s “Tradition and the Individual Talent”
   C. Jacques Derrida’s Of Grammatology
   D. Roland Barthes’s “The Death of the Author”

10. According to Professor Hammer, Wallace Stevens’s understanding of the imagination has most in common with which of the following literary traditions ?

    A. Imagism
    B. Classicism
    C. British Romanticism
    D. Vorticism