A. Stein was a crucially important figure in the Paris émigré community.
B. Stein was primarily a muse for modernist poets.
C. Stein was a proponent of low modernism.
D. Stein was an opponent of vanguard trends.
Related Mcqs:
- Which of the following best characterizes the contrast between Gertrude Stein’s poetry and Imagist poetry ?
A. Stein experimented only with the sound qualities of language, whereas the Imagists focused on visual imagery.
B. Stein experimented with language that skirted the edges of sense, whereas the Imagists sought precision and clarity of expression.
C. Stein sought to combine classical poetic form with contemporary content, whereas the Imagists used traditional poetic subject matter but experimented with form.
D. Stein sought precision and clarity in her poems, whereas the Imagists sought experimental forms that enhanced visual imagery. - Which of the following literary devices is most prominent in Gertrude Stein’s poem “New” ?
A. Assonance and word repetition
B. Simile
C. Metaphor and allusion
D. Circumlocution - What does Gertrude Stein’s term “the Lost Generation” designate ?
A. It refers to a group of talented American émigré writers who lived in Europe after World War I.
B. It refers to the young generation whose coming of age was interrupted by World War I.
C. It refers to English poets who sought refuge in New York City after World War I ended.
D. Both A and B - In his essay “The Roots of Modernism,” Christopher L.C.E. Witcombe defines the modern period in the history of art as the time from roughly 1860 to 1970. How does he say modernism is typically defined ?
A. Modernism is the art produced during the modern period.
B. Modernism is the historical period which followed the modern period.
C. Modernism is the philosophy of modern art.
D. Both A and C - What are the differences between conservative modernism and progressive modernism ?
A. Conservative modernism came to look to the past for inspiration and hope, while progressive modernism looked to the future.
B. Conservative modernism supported the status quo, while progressive modernism was deeply engaged in political and social amelioration.
C. Conservative modernism celebrated aesthetic formalism, while progressive modernism celebrated innovation and attacked aesthetic formalism.
D. All of the above - Which of the following characterizes Modernism ?
A. the desire to show realistic forms
B. the use of traditional formal structure
C. the lack of interest in characters’ psyches
D. the desire to break with established forms - Which of the following phrases best characterizes the late-nineteenth century aesthetic movement which widened the breach between artists and the reading public, sowing the seeds of modernism ?
A. art for intellect’s sake
B. art for God’s sake
C. art for the masses
D. art for art’s sake - Which of the following phrases best characterizes the late-nineteenth century aesthetic movement which widened the breach between artists and the reading public, sowing the seeds of modernism ?
A. art for intellect’s sake
B. art for God’s sake
C. art for the masses
D. art for art’s sake - Which of the following statements best characterizes American World War II poems ?
A. They tend to use traditional rhyme schemes and rhythms, and they avoid free verse.
B. They tend to use metaphors and avoid direct descriptive statements.
C. They tend to use classical imagery while rejecting romantic tropes.
D. They tend to be narrative and confront the reader with stark wartime realities. - Ezra Pound’s “Canto I” opens with the following lines: “And then went down to the ship,/Set keel to breakers, forth on the godly sea, and(…).” Which of the following statements best characterizes these lines and the poem as a whole ?
A. These lines set an impersonal tone which dominates the entire poem.
B. These lines establish a rhythmical pattern, which is followed strictly throughout the poem.
C. These lines are the only impersonal lines in the poem, the rest of which is primarily focused on the complexity of human emotions.
D. These lines establish a personal tone, focusing on a lyrical perspective similar to late-Victorian era poetry.
