A. the novel
B. nonfiction prose
C. the lyric
D. comic drama
Related Mcqs:
- For what do Matthew Arnold’s moral investment in nonfiction and Walter Pater’s aesthetic investment together pave the way ?
A. a renewed secularism in the twentieth century
B. modern literary criticism
C. late “nineteenth-century and early” twentieth-century satirical drama
D. the surrealist movement - For what do Matthew Arnold’s moral investment in nonfiction and Walter Pater’s aesthetic investment together pave the way ?
A. a renewed secularism in the twentieth century
B. modern literary criticism
C. late nineteenth-century and earlytwentieth- century satirical drama
D. the surrealist movement - According to Walter Benjamin in “The Work of Art in the Age of Mechanical Reproduction,” which of the following is true ?
A. “Even the most perfect reproduction of a work of art is lacking in one element: its presence in time and space, its unique existence at the place where it happens to be.”
B. “The feeling of strangeness that overcomes the actor before the camera, as Pirandello describes it, is basically of the same kind as the estrangement felt before one’s own image in the mirror.”
C. “All art work, even mass produced art, clearly links to an original referent that has a stable and knowable meaning.”
D. Both A and B - The fine arts flourished in Elizabethan England. William Shakespeare, Christopher Marlowe, and Edmund Spenser were some of the more famous playwrights and poets of the time. Drama, music, songs, and art were popular with noblemen and commoners alike. Exploring certain topics, however, was considered taboo in any art form. What was a strictly forbidden subject ?
A. Sexuality
B. Criticism of the queen
C. Murder
D. Witchcraft - Which novel did T. S. Eliot praise for utilizing a new \mythical method\in place of the old \narrative method\and demonstrates the use of ancient mythology in modernist fiction to think about \making the modern world possible for art\ ?
A. Virginia Woolf’s The Waves
B. Joseph Conrad’s Heart of Darkness
C. James Joyce’s Finnegan’s Wake
D. James Joyce’s Ulysses - Which novel did T. S. Eliot praise for utilizing a new “mythical method” in place of the old “narrative method” and demonstrates the use of ancient mythology in modernist fiction to think about “making the modern world possible for art” ?
A. Virginia Woolf’s The Waves
B. Joseph Conrad’s Heart of Darkness
C. James Joyce’s Finnegan’s Wake
D. James Joyce’s Ulysses - The motto “art for art’s sake” means that artists began to do which of the following ?
A. Produce works of art that were meaningless
B. Reject artistic production that was obligatorily moral in character
C. Avoid all forms of prose
D. Make art profitable above all else - According to Langston Hughes’s essay “The Negro Artist and the Racial Mountain” (his answer to George Schuyler’s essay “Negro Art Hokum”), what is the “mountain” that stands in the way of “any true Negro art in America” ?
A. It is the racial discrimination endemic in the white community.
B. It is the racial segregation in the South.
C. It is a widespread “urge toward whiteness” among African Americans.
D. It is a widespread “urge to incorporate and neutralize other cultures” among white Americans. - What was Elizabeth’s nickname for Sir Walter Raleigh ?
A. Waldimor
B. Water
C. William
D. Winter - Which of the following themes or subjects was not common in the works of Cavalier poets, such as Thomas Carew, Sir John Denham, Edmund Walter, Sir John Suckling, James Shirely, Richard Lovelace, and Robert Herrick ?
A. courtly ideals of the good life
B. carpe diem
C. loyalty to the king
D. pious devotion to religious virtues
