A. Virginia Woolf
B. Elaine Showalter
C. Mary Wolstencraft
D. Ellen Mores
Related Mcqs:
- A critic examining John Milton’s “Paradise Lost” focuses on the physical description of the Garden of Eden, on the symbols of hands, seed, and flower, and on the characters of Adam, Eve, Satan, and God. He pays special attention to the epic similes and metaphors and the point of view from which the tale is being told. He looks for meaning in the text itself, and does not refer to any biography of Milton. He is most likely a critic ?
A. Reader Response
B. Feminist
C. Mimetic
D. Formalist - A critic of Thomas Otway’s “Venice Preserv’d” wishes to know why the play’s conspirators, despite the horrible, bloody details of their obviously brutish plan, are portrayed in a sympathetic light. She examines the author’s life and times and discovers that there are obvious similarities between the conspiracy in the play and the Popish Plot. She is most likely a critic ?
A. Historical
B. Feminist
C. Tory
D. Psychological - A critic argues that in John Milton’s “Samson Agonistes,” the shearing of Samson’s locks is symbolic of his castration at the hands of Delilah. What kind of critical approach is this critic using ?
A. Mimetic approach
B. Formalist approach
C. Historical approach
D. Psychological approach - A critic examining Pope’s “An Essay on Man” asks herself: How well does this poem accord with the real world? Is it accurate? Is it moral? She is most likely a critic?
A. Feminist
B. Reader Response
C. Formalist
D. Mimetic - In “Characters of Shakespeare’s Plays”, what does William Hazlitt mean when he states the following: “We do not like to see our author’s plays acted, and least of all, ’Hamlet’. There is no play that suffers so much in being transferred to the stage” ?
A. Hamlet cannot be staged properly because of the complexity of the play’s use of language.
B. Hamlet is not relevant to the Romantic age.
C. The role of Hamlet cannot be properly played by any actor.
D. Hamlet is a work that was written to be read, not performed. - Who said that Arnold was a propagandist for literature rather than a critic ?
A. Carlyle
B. Ruskin
C. T. S. Eliot
D. F. R. Leavis - I know that many say that they are willing, perhaps the majority of the people, that we should enjoy our rights and privileges as they do. If so, I would ask why are not we protected in our persons and property throughout the Union? Is it not because there reigns in the breast of many who are leaders, a most unrighteous, unbecoming and impure black principle, and as corrupt and unholy as it can be–while these very same unfeeling, self-esteemed characters pretend to take the skin as a pretext to keep us from our unalienable and lawful rights? I would ask you if you would like to be disfranchised from all your rights, merely because your skin is white, and for no other crime? I’ll venture to say, these very characters who hold the skin to be such a barrier in the way, would be the first to cry out, injustice! Awful injustice! ?
A. Fredrick Douglass
B. John Winthrop
C. Benjamin Franklin
D. William Apess - Which poet, critic and translator brought England a modern literature between 1660 and 1700 ?
A. Addison
B. Bunyan
C. Crabbe
D. Dryden - Which poet, critic and translator brought England a modern literature between 1660 and 1700 ?
A. Addison
B. Bunyan
C. Crabbe
D. Dryden - One archetype in literature is the scapegoat. Which of these literary characters serves that purpose ?
A. Billy Budd
B. Hamlet
C. Captain Ahab
D. Ophelia
