A. Identify External Factors Related to the Work
B. Interpret the Play
C. Analyze the Staging
D. Analyze the Essential Elements of the Play
Related Mcqs:
- The statements below are parts of the steps on “How to Explicate Poetry”. Which comes in as second to the last thing to do before writing a critical essay of a poem ?
A. Interpret the Poem.
B. Introduce External Support.
C. Analyze the Elements of the Poem
D. Evaluate the Poem. - The statements below are parts of the steps on “How to Write an Analytical Essay about Short Fiction”. Which comes in as the last thing to do in the writing an essay about short fiction ?
A. Begin your paper with an introduction that identifies the purpose of the paper and the text you are addressing.
B. Compose topic sentences (four or five, perhaps) that support, explore, demonstrate, or illustrate your thesis.
C. Select specific passages in the text of the story that help you to develop each topic sentence.
D. Build your paper to a climax; save your most engaging or important topic sentence for discussion last. - The statements below are steps on “How to Read and Understand an Expository Essay”. Which comes in as an initial thing to do before writing an expository essay ?
A. Identify the Mode of Development
B. Analysis of the Author
C. Subsequent Readings/Reviews
D. Identify External Factors Related to the Work - The statements below are steps on “How to Read and Understand an Expository Essay”. Which comes in as an initial thing to do before writing an expository essay ?
A. Identify the Mode of Development
B. Analysis of the Author
C. Subsequent Readings/Reviews
D. All of the above answers are correct. - The statements below are steps on “How to Read a Short Story Critically”. Which comes in as the last thing to do in the critical reading of a narrative ?
A. Analyze the Structure of the Story
B. Analyze Rhetorical Elements
C. Analyze the Meaning of the Story (Interpretation)
D. Analyze the Essential Elements of the Story - One purpose of LITERARY CRITICISM is described below: “The historical approach, for instance, might be helpful in addressing a problem in Thomas Otway’s play Venice Preserv’d. Why are the conspirators, despite the horrible, bloody details of their obviously brutish plan, portrayed in a sympathetic light? If we look at the author and his time, we see that he was a Tory whose play was performed in the wake of the Popish Plot and the Exclusion Bill Crisis, and that there are obvious similarities between the Conspiracy in the play and the Popish Plot in history. The Tories would never approve of the bloody Popish Plot, but they nonetheless sympathized with the plotters for the way they were abused by the Tory enemy, the Whigs. Thus it makes sense for Otway to condemn the conspiracy itself in Vencie Preserv’d without condemning the conspirators themselves.” What purpose does this prescribe to ?
A. To help resolve a question, problem, or difficulty in the readin
B. To help decide which is the better of two conflicting readings.
C. To enable to form judgments about literature.
D. All of the above answers are correct. - According to Langston Hughes’s essay “The Negro Artist and the Racial Mountain” (his answer to George Schuyler’s essay “Negro Art Hokum”), what is the “mountain” that stands in the way of “any true Negro art in America” ?
A. It is the racial discrimination endemic in the white community.
B. It is the racial segregation in the South.
C. It is a widespread “urge toward whiteness” among African Americans.
D. It is a widespread “urge to incorporate and neutralize other cultures” among white Americans. - “The Second Shepherds’ Play” is part of which play cycle ?
A. Cornish cycle
B. York cycle
C. Roman cycle
D. Wakefield cycle - In which essay did Arnold say that for good literature to flourish two powers are necessary – creative and the critical ?
A. The Function of Criticism
B. The Study of Poetry
C. Preface to Eighteen Fifty Three poems
D. Essay on Wordsworth - Tradition and Individual Talent is a critical essay by_______________?
A. Shelley
B. Oscar Wilde
C. T. S. Eliot
D. None of these