In which year Globe theater got fire and destroyed ?

Related Mcqs:

1. In 1613 the Globe Theater burned down during a production of which play ?

   A. King John
   B. Richard II
   C. Henry VIII
   D. Henry V

2. Which of the following statements is TRUE concerning the Globe theater in Elizabethan England ?

   A. It burned down and was reconstructed hundreds of years later.
   B. It was situated on the Thames River.
   C. It was lit from natural sunlight as well as by candle light.
   D. All of the above

3. He had heard this destruction of the original possessors of the soil described, as we find it in the history of the times, where, we are told, “the number destroyed was about four hundred;” and “it was a fearful sight to see them thus frying in the fire, and the streams of blood quenching the same, and the horrible scent thereof; but the victory seemed a sweet sacrifice, and they gave the praise thereof to God.” This work is___________?

   A. A hortatory sermon
   B. A historial novel
   C. Gothic fiction
   D. A narrative frame

4. In 1599 which famous actor and his brother Cuthbert set a new playhouse on the Bank side, called the Globe ?

   A. Augustine Phillipps
   B. John Heimnge
   C. Henry Condell
   D. Richard Burbage

5. Was the Globe ?

   A. A Roman Amphitheater.
   B. An Elizabethan Theater.
   C. An Elizabethan sports stadium.
   D. A famous map of the world.

6. To which theater was Christopher Marlow associated with ?

   A. English Puritan theatre
   B. English Renaissance theatre
   C. Restoration theatre
   D. English Neo-Classical theatre

7. What was the name of the theater group that Shakespeare worked with for most of his career ?

   A. The Lord Chamberlin’s Men
   B. Elizabeth’s Men
   C. The Globe’s Men
   D. Will’s Men

8. Which of the following statements best describes the worldview represented by postmodern theater ?

   A. The world is a bright and interesting place.
   B. Universal truth doesn’t exist, and audience members must discover truth for themselves.
   C. The world is so complex that it does not require literature or theater.
   D. Mainstream audiences are so shallow that it is not worth writing plays for them.

9. Which of the following has been a significant development in British theater since the abolition of censorship in 1968 ?

   A. the rise of workshops and the collaborative ethos
   B. the diversifying impact of playwrights from the former colonies
   C. the death of the musical
   D. all but C

10. Which of the following has been a significant development in British theater since the abolition of censorship in 1968 ?

    A. the rise of workshops and the collaborative ethos
    B. the diversifying impact of playwrights from the former colonies
    C. the death of the musical
    D. all but C