A. Alonso
B. Ariel
C. Gonzalo
D. Stephano
Related Mcqs:
- Who is the heroin of The Tempest ?
A. Ophelia
B. Desdemona
C. Miranda
D. Helena - Identify the novel in which the character of Charlotte Lucas figures ?
A. Great Expectations
B. The Power and the Glory
C. Lord of the Flies
D. Pride and Prejudice - Identify the character who is a supporter of Women’s Rights in Sons and Lovers ?
A. Mrs. Morel
B. Annie
C. Miriam
D. Clara Dawes - The character named Comus is often seen by critics as a prototype of what character Milton later portrayed ?
A. Jesus
B. Samson
C. Satan
D. Adam - Mary Shelley wrote the novel Frankenstein in the form of a frame story that starts one character wring letters to his sister. Who is that character ?
A. Captain Cooper
B. Victor Frankenstein
C. Captain Robert Walton
D. Sergent Thomas Vincent - In literature, some of Shakespeare’s most powerful plays were written in that period (for example The Tempest, King Lear, and Macbeth), as well as powerful works by John Webster and ______________?
A. William Shakespeare
B. Ben Jonson
C. Ben Jonson folios
D. English Renaissance theatre - In Shakespeare’s Tragedies Character is not Destiny but there is Character and Destiny is a remark by________________?
A. Nicoll
B. Goddord
C. Bradley
D. Coleridge - In Shakespeare “Character is not Destiny” but “character and Destiny”. Whose comment is this ?
A. Bradley
B. Dr. Johnson
C. Nicoll
D. None of these - Fill in the blank. John Foxe was deeply disgusted by the _______________, and could not believe that any honest Christian could accept its doctrinal basis ?
A. Mass
B. Transubstantiation
C. Resurrection
D. both A and C - “O my death mother! I am miserable, truly miserable! But yet, don’t be frightened, I am honest! God, of his goodness, keep me so!” These lines characterize Samuel Richardson’s Pamela in all of the following ways EXCEPT ______________?
A. through the personal, direct appeal enabled by his epistolary form.
B. by emphasizing the character’s fright.
C. by emphasizing sexual morality.
D. through the sentimental attempt to make readers strongly identify with the character’s feelings.