A. Hughes was very conscious that he
was an American poet, and this profoundly influenced his writing.
B. Hughes wrote about the legacy of the American Civil War and its long-term cultural consequences.
C. Hughes introduced new subject-matter and new language into poetry.
D. Both A and C
Related Mcqs:
- Professor Hammer argues that in Hart Crane’s poem “Legend,” Crane introduces himself to his readers. The poem opens with the lines: “As silent as a mirror is believed/ Realities plunge in silence by …/I am not ready for repentance;” according to Professor Hammer, Crane’s refusal to repent is an assertion of which of the following ?
A. His political views
B. His will to imaginative freedom
C. His will to sexual freedom
D. Both B and C - Professor Hammer argues that Hart Crane’s poem “Voyages” is a complex reply to which of the following modernist works ?
A. Langston Hughes’ “The Negro Speaks of Rivers”
B. Ezra Pound’s “Cantos”
C. T.S. Eliot’s “A Love Song of J. Alfred Prufrock”
D. T.S. Eliot’s “The Waste Land - Professor Hammer argues that Marianne Moore’s poem “England” suggests which of the following ?
A. Moore’s emotional and aesthetic attachment to England
B. Moore’s harsh critique of the carnage of World War I
C. Moore’s particular kind of combative American cultural nationalism
D. Moore’s interest in England’s civilizing mission in the world - Professor Hammer points out that T.S. Eliot used quotation as an important literary technique. The use of quotations, according to Professor Hammer, suggests which of the following attitudes to the past ?
A. Curiosity about the past
B. Deference to the past
C. Violation of the past
D. Paradoxically both B and C - Which of the following traditions was particularlyimportant in Hart Crane’s modernist poetry ?
A. French Classicism
B. British Romanticism
C. American Romanticism
D. German Romanticism - Which of the following statements accurately characterizes Marianne Moore’s poem “A Grave ?”
A. It juxtaposes human consciousness against the sea.
B. It uses alliteration and iambic pentameter.
C. It has a subtle formal structure, even though it does not use rhyme.
D. Both A and C - What is the principal subject of Marianne Moore’s poem “An Octopus” ?
A. Death
B. Mt. Rainier
C. The ocean
D. An octopus - According to Langston Hughes’s essay “The Negro Artist and the Racial Mountain” (his answer to George Schuyler’s essay “Negro Art Hokum”), what is the “mountain” that stands in the way of “any true Negro art in America” ?
A. It is the racial discrimination endemic in the white community.
B. It is the racial segregation in the South.
C. It is a widespread “urge toward whiteness” among African Americans.
D. It is a widespread “urge to incorporate and neutralize other cultures” among white Americans. - Which of the following statements best characterizes the formal qualities of Langston Hughes’s poem “Life is Fine” ?
A. The diction is much more polysyllabic than monosyllabic.
B. The use of alternating end rhymes and word repetitions enhance the music of the poem and along with its occasional dissonance give it an improvisational jazz-like quality.
C. It is written in Standard American English for middle-class readers.
D. This poem is structured like a villanelle. - Langston Hughes was among the most important figures of the Harlem Renaissance. Which of the following is an accurate characterization of his experiences before he published his first book ?
A. He was a native New Yorker who did not travel much but who was keenly aware of New York’s complexity and diversity.
B. He moved to New York from Alabama and the stark contrast between these places deeply influenced his writing.
C. He was born in Missouri and traveled extensively throughout the United States and the world before he moved to New York City.
D. He spent most of his life in Washington, DC, moving to Harlem only after he gained literary fame.
