A. a new market position for nonfiction writing and an exalted sense of the didactic function of the writer
B. a Puritanical distrust of fictions and a thirst for trivia
C. the forbiddingly high cost of threevolume novels and the difficulty of finding poetry in bookshops outside of London
D. the deconstruction of the truth-fiction dichotomy and an accompanying relativistic sense that every opinion was of equal value
Ages, era, period
Ages, era, period
A. Robert Browning
B. D.G Rossetti
C. Tennyson
D. Christina Rossetti
A. Methodist
B. Imagism
C. Oxford Movement
D. Pre-Raphaelite
A. Arthur Hallam
B. Milton
C. Edward King
D. Hugh Clough
A. King Henry VIII
B. Queen Elizabeth I
C. Queen Victoria
D. King John
A. a renewed secularism in the twentieth century
B. modern literary criticism
C. late “nineteenth-century and early” twentieth-century satirical drama
D. the surrealist movement
A. the novel
B. nonfiction prose
C. the lyric
D. comic drama
A. William Morris
B. John Ruskin
C. Edward FitzGerald
D. all but c
A. Anthony Trollope
B. Charles Dickens
C. John Ruskin
D. Friedrich Engels
A. a series of Factory Acts
B. the Custody Act
C. the Women’s Suffrage Act
D. the Married Women’s Property Rights Acts
