Who made a distinction between Fancy and Imagination ?

Related Mcqs:

1. In which capter of Biographia Lieraria, Coleridge make a distinction between fancy and imagination ?

   A. 14
   B. 15
   C. 12
   D. 13

2. Who for the first time discriminated between imagination and fancy ?

   A. Coleridge
   B. William Wordsworth
   C. John Ruskin
   D. Schegell

3. This literary critic coined the term “fancy.” ?

   A. Samuel Taylor Coleridge
   B. Virginia Woolf
   C. Matthew Arnold
   D. Carl Jung

4. The opening lines of Charlotte Smith’s “Beachy Head” refer to the speaker “reclin[ing]” on the “stupendous summit” of a “rock sublime” as her “Fancy” went forth. This poem reflects which of the following features common to much Romantic poetry ?

   A. An emphasis on the relationship between a natural setting and the imagination as in Wordsworth’s poems
   B. A focus on the poet as seer as in some of Keats’s poems
   C. A call for social and political reform as in some of Shelley’s works
   D. A nod to the poet as outcast as in some of Byron’s poems

5. How does this quotation from Behn’s Oroonoko most suggest its status as an early novel: “I do not pretend, in giving you the history of this Royal Slave, to entertain my reader with adventures of a feigned hero, whose life and fortunes fancy may manage at the poet’s pleasure.” ?

   A. It focuses on a royal hero.
   B. It denies being imagined in favor of claims of realism.
   C. It focuses on adventures.
   D. It connects to poetry.

6. The distinction between comedy and tragedy which characterized classical drama was first forgotten during what period in England ?

   A. Medieval
   B. Romantic
   C. Victorian
   D. Elizabethan

7. Coleridge considered imagination as______________?

   A. Critical faculty
   B. Modifying power
   C. A psychological experience
   D. A product of intellect

8. Which of the following texts is the BEST example of the argument that a work’s meaning does not come entirely from the imagination of the author ?

   A. Plato’s The Republic
   B. T.S. Eliot’s “Tradition and the Individual Talent”
   C. Jacques Derrida’s Of Grammatology
   D. Jacques Lacan’s “The Mirror Stage…..

9. Which poet defines poetry as “the expression of the imagination” ?

   A. William Hazlitt
   B. William Wordsworth
   C. Percy Shelley
   D. Lord Byron

10. Which of the following texts is the BEST example of the argument that a work’s meaning does not come entirely from the imagination of the author ?

    A. Plato’s The Republic
    B. T.S. Eliot’s “Tradition and the Individual Talent”
    C. Jacques Derrida’s Of Grammatology
    D. Roland Barthes’s “The Death of the Author”