Literary Theory and Criticism

A. Tragic end of the tragedy
B. Working of fate against the hero
C. A weak trait in the character of the hero
D. A strong quality in the character of the hero

A. Agathon
B. Aeschylus
C. Sophocles
D. Euripides

A. To bring attention to false Euro-centric paradigms
B. To rectify the double experiences of certain racial groups
C. To reconcile cultural identity with individual identity
D. All of the above answers are correct.

A. All linguistic concepts evolve solely out of the responses of people within a specific historical era.
B. All linguistic and social phenomena are texts, and the object of studying these texts is to reveal the underlying codes that make them meaningful.
C. All linguistics is in some way related to class struggle.
D. All of the above answers are correct.

A. A language about another language
B. A supernatural language
C. A language that does not yet constitute a real language
D. All of the above answers are correct.

A. Strange attractors are mysterious forces that are entirely random.
B. Strange attractors are complex forces that are determined by the laws of physics.
C. Strange attractors are mysterious forces that are both random and determined.
D. Strange attractors are complex forces that are entirely random

A. A term that describes how literature exposes its own artificiality
B. An idea explored by Viktor Shklovsky
C. A term that describes the capacity of art to counter the effects of habit
D. All of the above answers are correct.

A. Wordsworth
B. Coleridge
C. Carlyle
D. Schlegel

A. The West spends too much time trying to consider an Asian perspective.
B. The West tends to look at Asian countries as individual units rather than lump them together.
C. The West views matters through its own limited historical position.
D. The West refuses to apply economic and political coercion to Asian writers.

A. Trauma theory
B. Ecotheory
C. Chaos theory
D. Formalism