Literary Theory and Criticism

A. Claude Lévi-Strauss
B. Jacques Derrida
C. Jacques Lacan
D. Michel Foucault

A. Coleridge
B. Addison
C. Arnold
D. Eliot

A. Understanding the author’s ideas in the context of the real world
B. Entering the author’s mind through his or her literary works
C. Reproducing the author’s thoughts in a critical context
D. All of the above answers are correct.

A. 48
B. 50
C. 52
D. 54

A. drama
B. music
C. dance
D. none

A. Psychological Critics
B. Feminist critics
C. Formalist critics
D. Marxist critics

A. An approach that emphasizes literary devices in a text
B. An approach that emphasizes the historical context of a text
C. An approach that emphasizes the biographical intent of a text
D. An approach that emphasizes racial issues in a text

A. Comedy
B. Tragedy
C. Satire
D. Melodrama

A. The ending of a tragedy
B. The ending of a comedy
C. The climax in a tragedy
D. The climax in a comedy

A. refuses maternal bonds.
B. is able to separate the “I” from the “Other.”
C. looks into a mirror for the first time.
D. All of the above answers are correct.