A. The Man of Feeling
B. In Memoriam
C. Song to Aella
D. Ozymandias
Ages, era, period
Ages, era, period
A. Aristotle
B. Duns Scotus
C. David Hume
D. Immanuel Kant
A. Goethe’s Faust in Faust, who is sinful because he attempts to exceed the bounds of human knowledge by making a pact with the devil but is nonetheless redeemed in his striving to break free of the bounds of mortality
B. Icarus, who is killed in attempting to fly because only Gods have the power to fly and mortals must be taught the limitations of human existence
C. Prometheus, who succeeds in stealing fire from the Gods and thereby surpasses the limitations placed on humans by the Gods
D. A and C only
A. A Doll’s House
B. Riders to the Sea
C. A Handful of Dust
D. The Fatal Curiosity
A. the bluestockings
B. the coteries of plenty
C. the Pre-Raphaelites
D. the tattlers and spectators
A. partition
B. segregation
C. enclosure
D. division
A. supernatural phenomenon
B. perversion and sadism, often involving a maiden’s persecution
C. plots of mystery and terror set in inhospitable, sullen landscapes
D. all of the above
A. Lord Byron
B. Percy Bysshe Shelley
C. William Woodsworth
D. Emily Dickinson
A. Henry St. John
B. Robert Harley
C. John Churchill
D. Robert Walpole
A. Wordsworth because he wanted to distinguish his poetry and the poetry of his friends from that of the ancien régime, especially satire
B. English historians half a century after the period ended
C. “The Satanic School” of Byron, Percy Shelley, and their followers
D. Oliver Goldsmith in The Deserted Village (1770)
